"Dream, Dream, Dream! Conduct these dreams into thoughts, and then transform them into action."
- Dr. A. P. J. Abdul Kalam
25 Dec 2025
During my school days, I loved the red and white colors that Santa Claus wears. To me, those colors meant happiness, excitement, and celebration. Santa looked cool, friendly, and magical—someone who arrived once a year only to spread joy. Christmas felt incomplete without his red suit, white beard, and cheerful “ho, ho, ho.” Back then, I never questioned why Santa looked the way he did. I simply believed that this was how Santa had always been. Years later, a casual conversation changed that belief. My uncle, who works in advertising, smiled when I spoke about Santa’s red outfit and told me, “You know, Santa wasn’t always like this.” That single line opened the door to a fascinating story—one where faith, folklore, art, and marketing came together to create the Santa Claus we know today.
The roots of Santa Claus lie not in marketing, but in kindness. Santa is inspired by Saint Nicholas, a 4th-century Christian bishop from Myra, known for his generosity and secret gift-giving, especially to children and the poor. Stories of him leaving gifts quietly at night spread across Europe, making him a symbol of compassion and selfless giving. Over centuries, these stories travelled, mixed with local traditions, and slowly evolved. In England, he became Father Christmas, a figure representing joy and festivity. In Europe and Russia, similar winter gift-givers appeared in different forms. Santa Claus, as we know him, is the result of all these stories blending together across time and cultures.
What surprised me most was learning that Santa did not always wear red. Before the 20th century, there was no fixed look for him. Artists and storytellers imagined Santa in many colors and forms. In England, Father Christmas often wore green, symbolizing nature and life during winter. In parts of Europe, Santa-like figures wore blue, especially in colder regions where winter skies and ice influenced imagery. Early American illustrations sometimes showed Santa in brown or tan fur coats, reflecting the description in the 1823 poem, ‘A Visit from St. Nicholas.’ Some versions even showed him in purple or grey. Santa was once drawn as a tall, thin man, a spooky elf, or even a bishop in religious robes. The idea of one universal Santa simply did not exist.
A major turning point came in 1823 with the poem A Visit from St. Nicholas, popularly known as Twas the Night Before Christmas. This poem introduced many details we now take for granted: Santa arriving on Christmas Eve, flying reindeer, a sleigh, and a cheerful personality. This poem made Santa warmer, friendlier, and more human. It shifted him away from a strict religious figure into a loving presence in family homes. The emotional bond between children and Santa grew stronger from this point onward.
In 1862, political cartoonist Thomas Nast illustrated Santa Claus for Harper’s Weekly. His Santa was small, elflike, and even patriotic, supporting the Union during the American Civil War. Over the next 30 years, Nast refined Santa’s image, slowly making him plumper, friendlier, and more recognizable. Importantly, Nast sometimes dressed Santa in red, but the color was not consistent or globally accepted yet. Santa was still evolving.
The biggest transformation came in 1931, when The Coca-Cola Company launched a winter advertising campaign featuring Santa Claus. They wanted a Santa who looked real, warm, and lovable—not a man dressed as Santa, but Santa himself. Artist Haddon Sundblom was chosen to create this image. Inspired by A Visit from St. Nicholas, he painted Santa as a jolly, pleasantly plump man with a white beard and a bright red suit. This Santa smiled, laughed, played with toys, read letters from children, and even enjoyed a bottle of Coke. The campaign ran for decades, appearing in magazines, billboards, calendars, and store displays around the world. Because of this consistency, Sundblom’s Santa became the Santa. While red had appeared before, Coca-Cola’s global reach fixed the image in public memory forever.
It is important to understand that Coca-Cola did not invent Santa, nor did it choose red randomly. Saint Nicholas himself was often associated with red and white bishop robes. What Coca-Cola did was standardize and popularize one version of Santa so powerfully that all others slowly faded away. This story shows how traditions are not always frozen in time. They grow, adapt, and sometimes get shaped by unexpected forces like advertising. Knowing this history does not make Santa less magical. In fact, it makes him more human.
Santa represents generosity, joy, and shared belief. Whether his suit is red, green, or blue, the real meaning of Santa lies in giving without expecting anything in return. When I look back at my childhood excitement, I realize that what mattered was not the color of Santa’s clothes, but the feeling he created: warmth, hope, and togetherness. Even today, when adults know the story behind the legend, Santa continues to live on in smiles, kindness, and the simple joy of making someone else happy.
Christmas is not just about Santa Claus, gifts, or decorations. It is about stories we pass down, memories we create, and values we share. Santa’s journey from a humble saint to a global icon reminds us that traditions survive because they connect people. So this Christmas, whether Santa wears red or any other color in your imagination, let him remind you of the joy of giving, the power of belief, and the magic that lives strongest in human hearts.
MERRY CHRISTMAS